Boobs sprouting, spines separating, heads exploding — in Coralie Fargeat’s The Substance, nothing is off-limits. That’s what quickly became clear to prosthetics designer Pierre-Olivier Persin when he ...
I really want the flesh and blood to be real.” That’s what “The Substance” director Coralie Fargeat told special makeup ...
I really want the flesh and blood to be real.” That’s what “The Substance” director Coralie Fargeat told special makeup ...